Black History Month and The Warmth of Other Suns

February happens to be Black History Month, and I happened to read a little book called Suitcase Full of Dreams, a memoir of a girl growing up in the 1940s-50s deep in Jim Crow South—Mobile, Alabama. Author Hoy Kersh tells her stories with the flourish of a poet. Her glorious wording sometimes distracts from the poverty and injustice she and her family and friends endured, but she was a child who could not be pushed down, and reveled in the simple glories of nature and mischief. She became more and more rebellious to the unfairness and meanness she saw in the white people around her, yet she saw that not all were against her; they were just as constricted by the rules as she was. The bravery of the civil rights leaders inspired her, and the call of the northern states pulled her, at age 16, onto a train for Chicago. There the book ends, waiting for Part II to be written.

Suitcase Full of Dreams was a preview to a recent event here featuring Isabel Wilkerson. She was in town to speak of her experiences writing The Warmth of Other Suns, a current best-seller about the great migration of black people from South to North and West over several decades, ending in the 1970s when things in the South started to change. Ms. Wilkerson was a joy to listen to, very articulate and funny. Oh she had stories, from over 1200 interviews with migrants. Her own parents were migrants who met in Washington, D.C. The full-house audience was transfixed at tales of separate Bibles in courthouses, the no-passing-white-folks rule for Negro drivers, and invisible rules that could get a person killed if they failed to obey them. Other Suns follows three different people from three different states in three different decades as they left the South for three different northern cities. Wilkerson discovers they were not much different from immigrants that come to America looking for a better life. Did they find their dreams? Not always.

Wilkerson said, “I had a great job [Chicago Bureau Chief of the New York Times]. Why did I quit and go into a cave for ten years to do this book? Because I wanted to recognize what it took for us to get here… to honor those before us.” And that’s what memoir is all about: honor and respect for those who came before us, and learning where we came from. Wilkerson told us, “Ask the questions. It validates [our elders] and their experiences.” She inadvertently rebuts Neil Genzlinger’s January 28 snarky New York Times op-ed of memoirs where he says, “There was a time when you had to earn the right to draft a memoir… Unremarkable lives went unremarked, the way God intended.” Wilkerson and Kersh prove with their books that unremarkable lives are well worth remembering, the way God intended.

My book review of Suitcase Full of Dreams is posted on Amazon, but also in The New Book Review, where small and indie press books get reviewed, too. Scroll around to see some of the other books reviewed there.

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Personal Historian Wayne Groner

Today I have ghostwriter and lifewriting coach and teacher Wayne Groner posting on how he became interested in writing memoirs and helping others write theirs. I “met” him through the Yahoo group, Lifewriters Forum and we share a similar passion. This week we are sharing our stories via each other’s blogs. You’ll see that once you start writing life stories, you can’t quit! And Wayne has turned his fun into a business helping others.

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I embrace all of the reasons for writing family memoirs: personal satisfaction, set the record straight, honor family members, healing, make a permanent record, leave a legacy, and many more.
I started when my longtime friend Dorsey Levell approached me early in 2008 about the fortieth anniversary celebration planned by the Council of Churches of the Ozarks, Springfield, Missouri for the fall of 2009. He thought it would be an excellent time to write a history of the Council from his perspective. The book became a combination corporate history and memoir.

Dorsey retired in 1999 after thirty-one years as the Council’s founding executive director. He and I wrote a book that same year to help pastors and other church leaders fund ministries (we both have backgrounds in fundraising). With that book in our resume we were comfortable proposing to the Council that we write a history for its fortieth anniversary. The Council agreed to be the publisher and we agreed on payment for our work. Dorsey’s name would be in large type as the author. My name would be below his in an “as told to” line.

We did a series of fifteen recorded interviews which became the basis of a manuscript. We also interviewed more than twenty-five key players in the Council’s history. Throughout the interviews, Dorsey kept using the phrase “dumb luck or divine guidance” to refer to his successes. We turned that into the title of the book, Dumb Luck or Divine Guidance: My 31 Years with the Council of Churches of the Ozarks. Dorsey tells his story in a folksy, easy style with deeply personal accounts of his successes and failures. Readers have told us the book is like talking with Dorsey over a cup of coffee, which is great because that’s exactly what Dorsey is like.

The book was a lot of fun to do and I wanted to do more. I joined the Springfield Writers’ Guild and the Missouri Writers’ Guild to let other professionals know of my interests in writing memoirs. I started a website and a blog, had business cards printed, and ordered retractable ballpoint pens with my contact information. In 2010 I began teaching a monthly library class, “Writing Family Memoirs for Fun and Profit.” My students keep me sharp and often send me for more research.

Of all the reasons for writing family memoirs, the one I like most is that it’s fun.

Wayne E. Groner lives in Battlefield, Missouri. He is the author of three books and numerous magazine articles; a speaker, writing coach, and workshop presenter. Stop by his inspirational blog on life writing, Your Memories, Your Book.

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Editing memoirs: Are any memories too trivial?

This question came up on the Life Writers’ Forum Yahoo group lately about editing out memories. A few of us answered that it depends on the audience, and felt that the writer was not particularly qualified to decide if a memory was too trivial to include. My mother would sometimes snap at me, “Who cares about that?!” if I asked too many questions about something she thought trivial. Well, her memoir is now in a number of university libraries. Life writers often encounter people who think little details or stories – or even their whole lives – are too trivial. Ha, what do they know? What they don’t know is context.

I’ve just finished reading Laughter Wasn’t Rationed by Dorothea von Schwanenflugel Lawson who survived WWII in Germany. The book is 526 pages long. It is a small press book, probably a one-book publisher. If a larger, traditional publisher would have taken it on, the manuscript would have been slashed and hacked at until only the most important and most interesting stories would be left. But in whose opinion? I found the little details of everyday life during and around WWII to be very revealing – a German civilian personal narrative is not common. Ms. Lawson included historical details I had never heard of. She had many stories of foraging for food, helping others, avoiding rape, working for the enemy after being conquered. She had Hitler jokes. Which of these would not be important enough to include?

Yes, memories can be left out if they do not contribute to the overall theme or message of a larger story, if they tend to duplicate each other, if they do not help explain a personality or the history or culture of the time, or if you are aiming at a big publishing house. Other than that, asking others for their advice before deleting is a wise move. In cooking up a story, those extra bits can make for good gravy.

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