Veterans History Project Honors Veterans and their Stories

Honor and best wishes to all our veterans, especially today. And good news for all of us  – the Missouri Veterans Stories website has been saved from the pile of budget cuts! Rep Jill Schupp of Creve Coeur headed the drive with the University of Missouri and the Missouri Historical Society as well as volunteers and veterans to create the Missouri Veterans History Project at the University of Missouri-Columbia (go Mizzou!).  Today the university will unveil the new lower-cost version of the old program. Volunteer videographers will work with veterans to record their stories with the assistance of the university’s equipment, researchers and journalism grad students. Mizzou administrators are even thinking of developing a special credited course for students to work on the program. The Missouri Veterans Commission will help to chttp://rcm.amazon.com/e/cm?t=cherrybloss03-20&o=1&p=8&l=bpl&asins=1596635010&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifronnect vets with the program.

Other states may also have veteran stories projects. The Library of Congress has the national Veterans History Project which archives personal narratives of war veterans in any form as well as photos and letters. The project also collects stories of citizens actively supporting the war effort through factory work, USO, medical services, etc. Visitors to the website can see or read about some of the veterans’ stories. Even the Chicken Soup publishers are looking for war memories!
Public Library of Cincinnati Veterans History Project

Post your flag outside and sit down with a veteran to honor his life, his patriotism, his sacrifices by asking for some old war stories.

 

Article from the Missourian of Columbia, MO, about the Missouri Veterans History Project

Gainesville Sun article about Florida projects

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Voices of the Dead: Memories in the Cemeteries

This week some of our local actors dressed up in period costume to play the part of dead people. Appearing from behind trees or rising up from behind gravestones in the Valhalla Cemetery, the actors became some of those long dead, telling their stories in the dark of night. One was a Civil War veteran, another a gangster, another a woman who murdered her millionaire husband. Members of the local writers guild researched nine chosen interred with the help of the genealogical society and penned 8-minute narratives for each. They tried to capture not only history, but the personalities of their subjects. Some were able to interview family members. Audience reaction was good, and some families even requested their deceased relatives be included in next year’s Voices of Valhalla.

“I guess everybody has a story,” said one guest. “It’s a different way to look at a cemetery,” said another, as reported by the St. Louis Post Dispatch.

Today I walked across the graves of many in St. Louis’s famous old Bellefontaine Cemetery, snapping photos and stopping to think about lives. Especially tiny lives that ended too soon, often marked by worn lambs atop small blocks of concrete or marble. The old gravestones carry so much more feeling than the new, plain markers, but all have their stories. Did the stories get told? Did children pass them on? We can only wonder at the secret lives, the hardships and joys, now just pretty monuments to gather fall leaves and act as obstacles to a lone coyote trotting past. The autumn breeze whispers, “Tell your stories before it’s too late.”

My Bellefontaine Cemetery movie

from Calvary Cemetery, next to Bellefontaine
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Flash memoir: a memory episode

Flash memoir is an exciting concept related to flash fiction, which is not a new writing form but now has a catchy name and has become popular. Short stories are in the range of 3000-5000 words. Flash fiction is even shorter – no strict limit unless there are contest rules, but generally 300-1000 words. Micro fiction is a few to 300 words. Recall Ernest Hemingway’s legendary six-word story: “For sale: baby shoes, never worn.” You don’t hear about it much, but short stories, flash and micro fiction can easily be adapted to life writing. Call it flash memoir.

Writing an entire memoir is daunting, requiring a lot of time, at least some writing talent to avoid boring readers, and organizational skills. Life writing is easier when it encompasses short stories, flash memoir and even poetry. Cut way back on the time and organizational skills, but it’s still nice to learn some basic writing skills (a future blogpost).

Writing short is much easier than writing long. Or is it? I’ve been taking an online class on writing flash fiction/memoir, through Story Circle Network, to brush up my short-writing skills and to learn how to adapt flash to true stories. The latter is easy, but good short-writing is not so easy. You must skimp on words but still create the essence of the story, providing a beginning hook to grab reader interest, then break into the guts of the scene, and end with a wrap-up. Novice writers should not be frightened, but should write their true short story or flash drafts as best they can. It’s the rewrites that are hell!

When you write short you must strip out all the babble—the extraneous thoughts, chatter, anything that isn’t directly a part of the story line or isn’t directly related to establishing a character personality. This is true for any story, but especially so for shorts. The chatty stuff can distract the reader. Think as a storyteller: what can I say in the beginning to grab interest, and what can I say at the end as a finishing thought. Often flash fiction ends with a twist—a clever, thoughtful line or perhaps a different perspective or a new understanding. The surprise isn’t necessary, but try to give your story a point—usually, what did you (or someone in your story) learn or come away with. If you can say this in a funny or a poignant way, extra points for you!

See Flash Fiction Online for some examples, and imagine how you can use this style for your own real life stories.

Search Amazon.com for Flash Fiction

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