A Domestic Violence Memoir: For Worse Never Better

Penelope vanBuskirk knows what it’s like to run for her life. She suffered both verbal andphysical abuse at the hands of her husband for nearly eighteen years. I justfinished reading her memoir, For Worse Never Better, appropriate for Octoberwhich is Domestic Violence Awareness Month. Penny* is one of the luckysurvivors as many women who try to escape are murdered, sometimes along withtheir children, by their enraged husbands. As Penny says of her ex-husband, “Heis now deceased. I am alive. I always thought it would be the other wayaround.”

For Worse NeverBetter: Diary of an Abused Woman and Escape to Freedom helps readers understand some of the reasons women put up with spousalviolence. Penny is not the stereotypical abused wife, beaten to a mere shadow.She is feisty and headstrong; she says that was her defense against adomineering father. That feistiness also makes it seem odd that she would staywith a violent man, until we see the rest of the story. Penny was neitherperfect nor always wise, sometimes pushing her husband’s hot buttons on purposein response to her frustrations with his cheating, his bossiness, his refusalto let her have any choice in what should have been family decisions. It ispainful to read how he beat her, and how—ever loyal, ever hopeful—she coveredup for him, lying about the bruises, “I didn’t hold on to the stair rail,” “Mommygot hit by a ball.” It is infuriating to read how he spoke to her, “Where thehell’s my dinner”—accusing, dominating, belittling—while she tried to salvageher self esteem.

Penny’s bookgrabbed me by the collar and pushed me to the end. My forgotten tea grew cold.I had to see how she escaped to write the book. At what cost, and what happenedto her little girls, the friends who tried to help? Wasn’t she afraid to writeher story? The book is not all doom. There are many happy moments mixed in,many times when love is strong and beautiful. They make the spider sweet, theweb sticky and complex. Penny does well at creating setting and expressing her thoughts. Her sharp sense of humor, which helped her keep going during the abuse, shines through. A number of typos didslip by, like small stones in a whitewater river. The end is satisfying, with atwist of smile.

Penny kept a diarythroughout the abuse. It is the basis for this cathartic book which she dared to write onlyafter her husband died. Of course, all names have been changed to protect theinnocent as well as the guilty. While Penny feels emotionally healed for the most part, she suffers permanent physical damage that worsens with age.

Penny now works with a shelter for women and hopes her book will give abused women “a mirrorof hope, understanding and strength. The book is also a must-read for anyonewho knows an abused woman. For Worse Never Better is available on Amazon inprint or e-book, but Penny will receive more dollars from a print copy sale ifit is through Authorhouse, and 50% of proceeds will benefit Chrysalis, aservices organization for victims of domestic violence. Visit Penny’s Live Free website to find articles, resources, and a link to her blog(Surviving Domestic Violence). Thank goodness there is help now for abused women (and men), unlike during the years when Penny was suffering.

*Due to the publicnature of online articles, the author’s nickname has been altered to a commonspelling to help maintain her privacy. Her current last name is unknown to most of those who knew her during the abusive years.

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A Study for Memoir Writers: Night by Elie Wiesel should have been darker

Finally, I have read Elie Wiesel’s famous memoir Night, his harrowing story of survival through several WWII Nazi concentration camps. How interesting that no publisher wanted the 245-page memoir (originally titled And the World Remained Silent) because it was too dark! Who wanted to read about such “morbid” stuff. Finally it was chopped into books half the size of the manuscript and published in Spain and then France, not reaching the U.S. until 1960 where it languished until we caught on to its importance and turned it into required reading by many schools. The book has never won an award, although Wiesel has been honored many times.

I read the newer 2006 translation of Night by Wiesel’s wife, which is said by reviewers to be more poignant than the previous clipped versions. I still felt it was somewhat wooden and that so much detail was left out as to be confusing in many instances. Only Wiesel knows what the original Yiddish manuscript held, but perhaps it held no more detail than the hyphenated, translated versions give us. How many of us can remember exactly what happened and all the details of a traumatic event, not to mention even the everyday events? What did you have for dinner last Monday?

It is interesting to me how the first half of Night seems distant and sparse — as though the author were numb, which perhaps he was. He was also a new writer. The second half is a little better, as though another writer took over to bring in some feelings and some exploration of inner thoughts. Here is where the book starts to shine. And this is what would make it an interesting study for memoir writers. Examine the differences between the halves so you understand the importance of bringing yourself deeply into your memoir, not just reciting the facts of what happened but letting readers into your psyche and what you were thinking. I can deal with incomplete events and details, but I want to hear what’s going on in your mind because that’s what separates dry history from vivid memoir. Tell us how you wish your father was dead so you could be free to struggle for your life without worrying about him, too; tell us why you lost your faith in God and how that affected you.

Night is thought to be fictionalized, although Wiesel is said to become angry when questioned about it. Even if parts of it are, they do not detract from the truth of what happened. Wiesel did not lie to make better sales, he probably embellished to give us a better understanding and more flowing account of how hideous the Holocaust was. It was hideous, and that is the truth. Its most important lesson, as Wiesel tells us, is that “Silence encourages the tormentor, never the tormented.” While the memoir could have been better, it still stands iconic in that it was one of the first Holocaust memoirs to be published.

Your story is important, too, even if someone says it could have been written better.

Linda Austin
“Cherry Blossoms in Twilight”
http://www.moonbridgebooks.com

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Memoirs and Steve Jobs tributes need to be realistic

Steve Jobs was brilliant, pushing the innovation envelope to bring us all sorts of fast and fun toys that happened to also be great for business, but he was also a driven man not always pleasant to be around. With his death, people are gushing and singing praises of someone they don’t seem to know very well. Steve Jobs: A Memoir, written by top biographer Walter Isaacson, is being rushed into production now and will hopefully give a clearer picture to the world of the real Steve Jobs.

Steve Jobs: A Memoir is perhaps more of a biography based on many interviews with Steve and those who knew him. To his credit, book notes say he asked for no control over the book and “encouraged people he knew to speak honestly,” just as he often spoke honestly (often “brutally”) to others. Steve was a complex man, well worth praise, but – let’s be honest as he would wish – not a particularly nice guy. And that adds a lot to his character and mystique.

In memoir and other forms of lifewriting, it is important to be honest with yourself and others. Painting a glorious picture of yourself as a sweet, loving person – or a successful businessman – with no faults is pretty bland, not to mention readers may not recognize you. Everyone has faults, from huge to mostly foibles. These make you the unique person you are, preventing you from being a cookie-cutter mold of some fairy tale goodie-goodie. Come to think of it, there aren’t many fairy-tale goodie-goodies, and for good reason; the most interesting characters in a story are the bad guys, followed by the hero/heroine who saves the day. If you’re going to leave an impression on readers, you’re going to have to come across as a human being who makes mistakes, has peculiarities, has problems to overcome. And you’re not a robot, so show some emotion. Don’t be afraid; since none of us readers are perfect we can relate to you better if you don’t pretend to be perfect. The less perfect, the more we can relate!

So why did this intensely private man agree to two years worth of personal interviews for a biography? “I wanted my kids to know me. I wasn’t always there for them, and I wanted them to know why and to understand what I did.” (Gather.com) For better or worse, Steve Jobs was three-dimensional, maybe even fourth if you consider he will live on through time through his products, his methods, his quotes, and those scars he left on people’s psyches.

Linda Austin
“Cherry Blossoms in Twilight”
http://www.moonbridgebooks.com

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