WWII letters home

I am currently working on creating a booklet out of two year’s worth of WWII letters to home. My husband’s grandfather was drafted and entered the military the day before his wedding anniversary. He wrote home almost every day. Fortunately the family had saved the letters, but no one had really looked at them.
I never got to know PawPaw very well. He was a rangy, rather quiet fellow, a retired farmer, a Tennessee country boy. Whenever we visited the few times a year, he liked to repeat the same silly jokes, with such a twinkle in his eyes that I couldn’t help but laugh. Reading his letters, I came to know a devoted family man who dearly missed the “honey and babies” he was forced to leave. Even though his writing is simple, with almost nonexistent punctuation, he wrote of the “flying fish like grasshoppers over the blue sea.” His story is neither full of action nor of much historical fact, but it is a picture of life on a supply ship: the boredom of an endless ocean interrupted by rough storms and even a typhoon or two, liberty on islands of sea shells and brown natives, never knowing the future, worrying about the family and the farm back home.
A friend working on recreating her father’s WWII story had only ship newsletters and official paperwork to go by. After her mother’s death, her father threw out his letters to home, thinking they were of no interest to anyone. Though he had stories, he didn’t want them written down, saying they were not worth anything. So many people say that about their stories, thinking that since they were nobody special their stories are not important. Yet history is also made up of everyday lives, the kind that tend to be left out of the pages of books. Yes, we like to read about decisive events and famous people, but we’re also curious about how ordinary people lived – in those days, and under those circumstances, which may not be so long ago. The world changes so quickly these days.
The PacificThis Sunday, March 14, 8pm Central time, HBO presents the first of a ten-episode series entitled “The Pacific.” Produced by Tom Hanks, Steven Spielberg, and Gary Goetzman, the miniseries is based on the memoirs of Marines Robert Leckie and Eugene Sledge, the story of war hero John Basilone, and interviews with other veterans who fought in the Pacific arena of WWII. The series depicts on a personal level the battles of Guadalcanal, Iwo Jima, Peleliu, and Okinawa and ends with the mens’ wary homecoming. Warning: Episode 9 is said to be disturbing to watch. The Pacific website offers a place to submit stories of military service or to pay tribute to today’s (or yesterday’s) soldiers. A companion book, with additional personal stories, was released earlier this month.

Helmet for My Pillow: From Parris Island to the Pacific by Robert Leckie

With the Old Breed by E.B. Sledge

Hero of the Pacific: The Life of Marine Legend John Basilone by James Brady

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To publish or not to publish your memoir

It is very difficult for a new writer to get noticed these days by agents and the big traditional publishers. Agent Rachelle Gardner receives hundreds of queries a week from hopeful writers jockeying for her attention. Gardner recently wrote a blog post specifying the type of books she is interested in representing (each agent has specialties). She is interested in books with a Christian slant and in memoirs, but not “personal stories of overcoming adversity… unless your story has built-in marketing potential and an obvious media hook.” Someone then asked if that meant her Christian-perspective story of overcoming cancer twice was not of interest. Gardner was kind enough to explain further.

Publishing is a business. A big business. And it is not doing so well these days. The traditional publishers are looking for sure bets: celebrity stories, big name authors, hot-selling current themes (think vampires). If you are not famous, you have an uphill battle. Your manuscript had better be written really well, have a subject attractive to the masses and yet have a twist that sets it apart. “Misery” memoirs of drugs and abuse are a dime a dozen. The cancer survivor is one of millions, as Gardner noted. She says, “Memoir is a demanding genre; it will only sell if the writing is stellar, and the story is crafted in a way that is very compelling. It usually needs a unique hook or a fresh spin on a common topic.” This is true of any genre: what makes your story stand out from the rest, but not be too different.

The average person will not have a standout memoir that can be sold to a publishing house. Those who truly believe they have a sellable story will need to develop serious writing skills, to research by reading top-selling memoirs, and to study similar memoir stories to see how to tweak to be unique. Consider approaching small publishers that accept memoirs. If you can do presentations related to your memoir theme, consider self-publishing and doing back-of-the-room sales. Again, publishing is a business. For some, it is an expensive hobby.

For most, it is not important to sell their memoir to millions. For most, it is too much trouble to self-publish and market. That does not make their story less important or valuable. A memoir is what you leave behind for those you love, for those who want to remember you forever and tell their children and great-grandchildren about you. Your memoir may not make a million, but it will be worth a million to your family.You don’t need the publishing world to verify that.

Read Rachelle Gardner’s post, Writing Memoir

John Kremer’s Self-Publishing Hall of Fame
On Writing Well, 30th Anniversary Edition: The Classic Guide to Writing Nonfiction

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Journeying through spiritual beliefs in memoir

http://rcm.amazon.com/e/cm?t=cherrybloss03-20&o=1&p=8&l=bpl&asins=0306818043&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrBrenda Peterson spent her childhood in the wilderness, growing to love nature with her park ranger father but influenced by her family’s strong Southern Baptist belief that the world was just a temporal realm until they were taken away in The Rapture. After struggling with what she calls the paradox of just that place of waiting versus the divine wonder of the earth, the forest won her spiritual heart. “If we looked at the earth as more divine, we would take care of it,” Peterson said, explaining her combined belief in spirituality and environmentalism. To her, waiting to “go home” and her family’s excitement about signs of trouble on earth did not make sense.

Peterson’s book I Want to Be Left Behind: Finding Rapture Here on Earth is an example of memoir as spiritual journey. Peterson uses humor, respectful dialogue and her work with wildlife to keep reader interest as she struggles with conflicting views and family pressure to find her way through fog and into light. She leaves a trail that can inspire others to study and think their way through their own spiritual struggles, or to remember their past struggle and to write it down for their own children. Even those who have not particularly struggled with God and religion can include the why’s and where-for’s of their beliefs in their life writing. Our spirituality is part of who we are – and even hardened atheists have their story.

Here is an excerpt from I Want to Be Left Behind: Finding Rapture Here on Earth

Disclaimer: A number of my relatives are devout Southern Baptist, but none are “Rapturists.” Those preparing for The Rapture are a small minority of very conservative evangelist Christian believers.

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