Heather Summerhayes Cariou blooms with Sixtyfive Roses memoir

Heather Summerhayes Cariou managed to take a deep tragedy, the loss of her sister to cystic fibrosis, and turn it into a journey of healing and personal growth through the writing of a memoir, Sixyfive Roses, a play on the name of the disease that’s difficult for kids to pronounce. CF is an inherited disorder that literally chokes the life from its young victims, although great strides have been made in research to make the median age of survival now more than 35 years. Pam Summerhayes, diagnosed at age 4, died at the age of 26.

While Heather wanted to write a memoir of Pam in tribute to her sister’s strength and bravery, she discovered she had to tell the story in her own words, and in the writing Pam voice spoke. While Sixtyfive Roses has no happy ending, it is an inspirational story that has attracted readers with its tenderness and courage and its message that “we can choose our joy in each moment, no matter what.” The Summerhayes family helped found the Canadian Cystic Fibrosis Foundation and a percentage of the proceeds from the Sixtyfive Roses book goes towards that organization as well as to the CF Foundation of the U.S.

Heather Cariou is a recent guest on Women’s Memoirs, a blog by authors Matilda Butler and Kendra Bonnett who co-wrote Rosie’s Daughters, a collective memoir of stories of the can-do women of the generation following “Rosie the Riveter.” Heather’s May 19 guest post is well worth reading for those contemplating writing a memoir. In just one post she gives informative and encouraging advice that encompasses the highlights of all memoir writing books combined.
Heather will be interviewed by Butler and Bonnet via phone conference line this Friday, May 22, 10am Pacific (1pm Eastern). Check the Women’s Memoirs website for the phone number and access code so you can listen in.

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What Will My Mother Say and other memoir fears

So you’re writing a memoir and you don’t want to lie and say everything was rosy, but you don’t want your family to send you hate mail. Whatcha gonna write? The big question is who you gonna write for?

The best memoirs are those where the author has come to some kind of understanding or healing from troubles. When the bad stuff is raw, then the revenge memoirs raise their serpent heads and who gains from those? Only the voyeurs. Everyone involved in the story, including the writer, is left feeling angry, and the innocent reader hoping for a good story with an inspirational ending is left blindsided. So it’s best to take a step back and consider…

If you’re writing solely for yourself, then you can whine and howl as much as you want. And guess what – only you are going to enjoy that. It may help you heal. Hide that manuscript under your bed until you can get some perspective. If you want to leave your memories to your family – kids, grandkids, sisters, brothers – write for them, which means tone things down, be tactful, try to understand what made your “perpetrators” behave badly. Some people are very sensitive and “exaggerate,” as Augustin Burroughs (Running With Scissors) has been accused of. He’s writing for a big audience so he could use some sensationalism to sell his books. You, lets hope you’re not in it for the big money and are mature enough to be polite.

There are always two sides to a story and readers will get a more 3D picture of your real-life characters if you can get inside their heads to decipher their behaviors or imagine what it was that caused them to be “that way.” If you write with at least some degree of understanding, then you should be able to stand proudly (and bravely) by your work in the face of your mother. Or your father, or your siblings. And, of course, it depends on how sensitive your family members are. (See Lori Gottlieb’s essay Mothers, Brace Yourself in the May 7, 2009, issue of The New York Times.)

Maybe the moral of this story is to be careful how you treat your kids because they could grow up and bite you with a revenge memoir. Here’s a light-hearted look at a dad’s fear. Me, I think I’m only guilty of shouting, “Clean your room!” too much.


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Quilted Memories

The other weekend, my neighbor (The Cookie Queen, aka Mistress of the Needle Arts) accompanied me to a unique play entitled “The Quilters.” It was, oddly enough, a musical – with dancing! This production, fittingly performed at the Missouri History Museum, is based on the book The Quilters: Women and Domestic Art: An Oral History, by Patricia Cooper and Norma Bradley Allen. It is a series of vignettes as an elderly pioneer woman creates her final quilt – a legacy quilt – to remind her daughters of her life and theirs. Not only does the quilt recreate her lifetime, but some of the scraps that go into it are actual pieces of her life: her wedding dress, a baby’s blanket, a daughter’s dress. In my quilting ignorance I had thought the quilt would be made up of pictorial depictions, a la a landscape or appliqué art quilt, but as appropriate for that time and place in history it was a piecework quilt filled with traditional patterns. There were blocks such as the Rocky Road westward trail, the Dugout home and then the Log Cabin, the Windmill that pulled water from the well, Four Doves in the Window that reminded the mother of herself and her daughters quilting together, Crosses and Losses after a terrible wildfire, and the Tree of Life which formed the center of the quilt. The play made me want to create memory quilts for my own daughters, preferably with hand stitching involved.

Along with this quilting play was an exhibit of quilts (through Sept 13) created by Mary Lee Bendolph, one of the Gee’s Bend quilters, made famous by a traveling exhibit of these African-American ladies’ work. From a small community in Alabama, tucked in an isolated curve of a river, the women created intensely colorful works of warmth and art that seem based on abstract paintings. They used strips (rectangles) and strings (wedge shapes) to put together primitive yet very architectural designs using whatever scraps they could find in their poverty-stricken lives. They didn’t worry about fancy stitching or the usual patterns because these were just quilts “for hard use.” After Mary Lee Bendolph became famous she said, “I can have any materials I want now, but I still love to use leftover and recycled clothes…I see the value of the leftover cloth. Old clothes have the spirit, and I can’t leave the spirit out.”

Someday when I retire(!) I want to quilt for my girls. I’ve already made each of them quilted Christmas stockings, but I want something bigger – at least a lap quilt – and more memorable. I’d better start planning and saving important scraps. I want there to be a spirit in each of those treasures.

*The Missouri History Museum in St. Louis is looking for stories of quilts. If you are in the area and can bring your quilt or a photo to a videotaped session, call 314-361-7369 or email jsowell at mohistory.org to set up a 45 minute appointment on May 9, 16 or 30.

**Want to try quilting? Check out The Quilter’s Ultimate Visual Guide: A-Z; experienced quilters might like Suzanne Marshall’s new book Adventures & Applique: Traveling the World of her inspiring award-winning quilts based on her travel memories.

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