Visiting your family roots far away

Kathy Pooler, a fellow memoir-writer who also encourages others to write their stories, just posted in her Memoir Writer’s Journey blog about a recent visit to Italy where she met her overseas family for the first time. See Back to My Roots:  A Memoir Moment. What a meaningful vacation! Her post made me sad, though, as I have never seen my Japanese relatives. I would need a translator and lots of money because Japan is an expensive place to visit–and I would want to visit all over the country. Then there is that omiyage thing. Omiyage is “the gift you keep on giving.” In the land of respect and politeness, visitors must bring gifts and they in turn will be given gifts. Heaven help the person who brings over a tray of cookies – the return of the tray (never a throwaway) involves gifting something back, and then back and forth the tray goes forever, so goes the  joke.

My parents could not afford trips to Japan, and omiyage was intimidating to my mother on a budget. My dad finally insisted on taking my mom back ten years after he brought her to the US, and us kids had to stay home “because you won’t like the food.” It’s true we cried for McDonald’s whenever Dad took us to Japantown in Chicago so Mom could buy food stuffs at Star Market and they could eat at Kamehachi sushi restaurant. I’m sure the real reason we kids had to stay home was cost.

The visit was just in time. Mom was able to reconcile some issues with her mother before her mother died. It was a sweet homecoming. After that, she saw her two sisters and their families only once every 10-20 years, and my sister and I were never able to go with her for financial, work, or our own family reasons. I rarely see my own sister, but I couldn’t imagine being away from her that long!

Kathy Pooler had the joy of seeing the house where her grandfather was born and of meeting his nieces and nephews. And eating Italian home cooking! Apparently in Italy they practice omiyage, too, as Kathy was laden with gifts by delighted relatives. If I went to Japan, I would find nothing left of where my mother lived. She remarked on all the changes after her first visit back. Her old home was gone. Her small town in the tea fields, with its dirt roads and wooden shop fronts, was quickly becoming a bustling bedroom community of Tokyo. She had only the memories – and her sisters. Johnson Air Base where she worked was turned back over to the Japanese around 1970, then abandoned. The remains of a few base houses are engulfed in overgrown brush, viewed behind barbed wire.

Someday I hope to go to Japan. Someday I hope to go to Holland to see where my dad’s ancestors came from. Until then, I live vicariously through people like Kathy and Kim Wolterman, another memoir-writer and history-loving friend, who has just travelled to Germany and Switzerland to discover her faraway family. I’m so excited for them!

Tokorozawa, 1950s

Tokorozawa, 1950s

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Denis Ledoux on writing your memoir: What if I can’t remember?

A few weeks ago, Denis Ledoux of The Memoir Network posted an article on the LinkedIn Memoir Writers Society group that gave some good tips for capturing memories. He’s basically advocating a brain dump, the writing down of snippets of memories as they come. A writer’s notebook would come in handy for this – carry it around with you. I keep a small notebook in my handbag (which comes in handy for all sorts of spontaneous note-taking). After publishing his own collection of autobiographical fiction, Denis began presenting workshops on memoir writing. He and his team work to help others write and publish their memoirs. With his permission, here is his post:

What if I can’t remember?

People who are writing a memoir will sometimes say, “I want to write my stories but I have forgotten so many details. Is there any way I can get them back?”

There is one tool above all others that makes the experience of life writing successful. That tool is the Memory List. No other exercise opens up the process of life writing as quickly and as surely as the thoughtful and thorough compilation of such a List. It’s simple, and as a first step, it’s crucial.

In this article, I will talk about the Memory List (a general term for your list of memories) and the Extended Memory List (its widest, most all-inclusive version). The Core Memory List (the list refined to the ten most important memories) is covered in a separate article.

Your Memory List is always a work in process because the more you remember and jot down, the more you’ll recall. You will return to and rework your list again and again as you write your life stories.

1.) The Extended Memory List consists of short memory notes (three to five words is sufficient) of people, events, relationships, thoughts, feelings, things-anything-from your past. The list is usually random and always uncensored. Each line lists a different memory. When you write a different memory, start a new line. Do not feel compelled to write in full sentences. (In fact, I urge you not to write in full sentences!)

2.) Let the logic of creating a Memory List be internal. Do not force yourself to be chronological (“everything I did when I was sixteen”) or thematic (“my father”), and do not strive for cause-and-effect relationships (“because this happened, that followed…”) unless the memories come that way spontaneously.

3.) Do not censor your memories. As soon as you find yourself thinking something like “Is this really important enough?” you are censoring your memory and compromising your Memory List. Censoring can result in a list that is less comprehensive-and therefore, less useful to you as a lifewriter-than it would be if you allowed yourself to be free-flowing and uncensoring. Let yourself go where your imagination takes you.

4.) A Memory List includes both big items and small ones. Any of the following are “on target” such a list:

– Brother Stan died.
– Green wallpaper-stage coaches and buttes.
– Sister Marie Gertrude fell on stairs.
– My parents divorced.
– Blue Schwinn bicycle.

The list is for you, and you’re the only one for whom it needs to have meaning. No one else will see it unless you share it. Include enough data to make the notes understandable to you at some future time. Don’t fall into the trap of writing something cryptic like “cap.” In a month’s time, you may not remember which “cap,” or whose, you were remembering. But, if you wrote “Bob’s Red Sox cap/1970,” it is likely you will have enough of a cue to recall what you meant.

5.) The Extended Memory List ought to be fairly long. It is not unusual for a writer to spend two or three weeks or even months compiling it. You will find yourself adding to it regularly in the months ahead as more and more memories come to you.

This Extended Memory List will go in your three-ring binder. It will serve as your source of writing inspiration and be a tremendous time saver. Whenever you sit down to write, you won’t need to spend time coming up with a topic. All you have to do is pick an item on the list and write about it. (Write everything you remember about the “blue Schwinn bicycle” you mentioned on your list.) With your Memory List, you need never again have writer’s block. With an extensive list of memories to pick from, you will always have a ready prompt.

What tools do you have to remember life stories?

* * * * *

Denis LedouxEvery November, Denis offers “November is Lifewriting Month.” NILM provides writing prompts via e-mail, free tele-classes on memoir-writing techniques and many surprise memoir gifts. Denis is the author of the classic Turning Memories Into Memoirs/ A Handbook for Writing Lifestories. Most recently, he completed his mother’s memoir, We Were Not Spoiled, and his uncle’s memoir, Business Boy to Business Man. Denis is currently working on a book about “writing with passion.” Jumpstart materials are also available for writers wishing to be memoir professionals in their communities.

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Patricia Polacco: Family stories for children

Author Patricia Polacco spoke at the St. Louis County Library the other night. She is the writer and illustrator of about 57 children’s books so far, more in the works. Her books are well loved. The Keeping Quilt celebrates its 25th birthday this year with a republished version of 15 more pages explaining what has happened since to the quilt. The story’s prequel, The Blessing Cup, has just been released. These are family stories she has heard “a thousand times, and each time they got more majestic.”

Patricia’s great-grandmother’s family emigrated from Russia, her father’s side from Ireland. She grew up “watching” her Russian grandmother telling stories, not watching TV since there was none in the house. Sometimes she would ask her babushka if a story was really true. “Of course, it’s true—but it may not have happened.” Patricia said, “Truth is the journey one takes through the story. Did it make you laugh? Cry? Seek justice?” She is working on an Irish story of her father’s family emigrating to Chicago and experiencing the Great Chicago Fire of 1871.

Patricia Polacco did not learn to read until she was about 14 years old. Her learning disability is documented in poignant books: Thank you, Mr. Falker and The Art of Miss Chew. Her story of embarrassment and shame, of being bullied mercilessly, and of finally overcoming the dyslexia she tried to hide brought tears to many eyes. She had teachers who were her heroes. She did not become an author until the age of 41, a fact she says draws gasps from children at school presentations. How old!

Patricia grew up in a family of “amazing” storytellers, and her best friend since childhood is an African-American man whose family of storytellers is from the bayous of Louisiana. Patricia has lots of stories, from her family as well as her own real-life experiences, some with her Rotten, Red-headed Brother and with her friend Stewart. She says almost all her books have a red-headed character in them–“red-heads are magic!” And almost all have both young children and elderly in them because of the wonderful experience she had growing up with her grandparents.

Maybe you have some fun or poignant short stories of your own that can be turned into children’s stories to pass along the branches of your family tree. My mother’s memoir, Cherry Blossoms in Twilight, was written with her future great-grandchildren in mind. She has passed on her stories of catching tadpoles in rice paddies and hearing spooky tales of the Old Fox, and she has even left us songs she used to sing as a little girl. Our life stories don’t have to be long memoirs for grown-ups. Think of the young children, too.

Patricia Polacco The Keeping Quilt

The Keeping Quilt

The original “Keeping Quilt” is now in a museum,
but Patricia says when she touches this reproduction
she can still feel her grandmother.
(The yellow horse is her favorite piece)

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